A poet Lee Yonghan happens to see a street cat in his neighborhood and gets interested in the cats. Since cats are a territorial animal, he meets them on the street very often. He takes pictures of their daily lives, and keeps their record in the pictures. He also calls the cats ‘Blacat’, ‘Snomeow’ and so on. His record is published as a book titled ““Hello, thanks cats””. I, a TV commercial director bump into his book at local library, and become interested in street cats. In my neighborhood, there are lots of street cats. 　　I take pictures of their daily routines. I name the ones I am familiar with ‘Sleepuss’, ‘Beauttie’, ‘Naughty’, etc. I even feed them with water and catfood; I feel changed. 　　Lee Yonghan takes one of the street cats to his house as he moves to Yangpyeong. And he meets a new cat there. As I take pictures of them, I notice unexpectedly many villagers take care of street cats, and I interview them.

影片關注中國社會從文革時期到今天廣場上舞蹈的變化，追溯當下中國所流行的廣場舞實際來源於文革時期的忠字舞。三個主人公，分別是在文革時期敢於反抗並且到74歲還能倒立的周先生，到老了依然情懷不減，找到50年前文革時期他的初戀女友，並將當年分手時給她畫的畫像交給她；婚姻瀕臨破裂，並且每日照顧105歲的老父親的熊先生，70歲的他，不僅每日去廣場跳“牽手舞”，而且需要不斷更換女舞伴來尋求表面的性刺激以紓解照顧父親的心裏壓力，最後安靜送走父親；紅衛兵團團長63歲的尹女士，從她一開始對文革極左的傾向，到最後潸然淚下，反思悔恨當年的幼稚，並在她不斷地努力下，實現了人生的理想，最後到美國洛杉磯進行舞蹈演出，從而圓了她終身的夢想。他們在文革時期都跳過忠字舞，同時也是廣場舞的親身參與者。而今天他們又在為了實現自己最後的夢想而努力。本片通過廣場舞將他們串聯，將廣場上舞蹈的變化作為中國近50年曆史變革的戲劇縮影。 　　The documentary DANCE ON THE SQUARE tells the story of the 3 heroes who dance on the square from the period Cultural Revolution to today.They are old enough now. The story is about the 3 old people to realize their last dream of life. reflecting the huge impact of the dramatically political changes on people's spiritual aspirations through nearly 50 years of dance changes on the Chinese square. 　　获得奖项： 　　2016年 入围新加坡國際電影節 　　2013年 入选CNEX华人纪录片提案大会（CCDF）

A documentary directed by Inudo Isshin, known for Josee, the Tiger and the Fish and La Maison de Himiko, The Unnameable Dance shows the life and dance of Tanaka Min, an elderly dancer in his 70s, in a multifaceted and dynamic manner. After accompanying Tanaka Min on his journey to perform 90 dances in five countries for three years from 2017, Inudo Isshin called his dance "a dance that cannot be defined by genre." Anywhere, whether they are alleys, beaches, theaters, bookstores, or galleries, can be his stage, and the energy of those spaces draws out dance from his body—a dance that will not and cannot be repeated. The film captures other aspects of Tanaka Min’s life as a farmer and an actor. Here are the rare moments when a person′s art coincides with his life. Along with his dance, the animated scenes and scenes from the samurai film in which he appeared are also eye-catching. (KANG Sowon)

A documentary directed by Inudo Isshin, known for Josee, the Tiger and the Fish and La Maison de Himiko, The Unnameable Dance shows the life and dance of Tanaka Min, an elderly dancer in his 70s, in a multifaceted and dynamic manner. After accompanying Tanaka Min on his journey to perform 90 dances in five countries for three years from 2017, Inudo Isshin called his dance "a dance that cannot be defined by genre." Anywhere, whether they are alleys, beaches, theaters, bookstores, or galleries, can be his stage, and the energy of those spaces draws out dance from his body—a dance that will not and cannot be repeated. The film captures other aspects of Tanaka Min’s life as a farmer and an actor. Here are the rare moments when a person′s art coincides with his life. Along with his dance, the animated scenes and scenes from the samurai film in which he appeared are also eye-catching. (KANG Sowon)

Jos Stelling's entry into the world of film was effective. The world premiere of his debut film “Mariken van Nieumeghen” took place in 1975 in the Cannes competition programme. Nearly fifty years later, he says the latest film will be his last. It is a shame if this is true. “Natasha's Dance” is a powerful masterpiece, a tribute to the film d'auteur, which he has consistently cultivated as a director. But not just in his works. Stelling also owns several art-house cinemas in his hometown of Utrecht, where, of course, the film d'auteur plays an important role. 　　When Daantje was a withdrawn child, her mother told him that somewhere there was a girl waiting for him who danced beautifully. As an adult, Daantje is a lonely homeless person who happens to meet the former ballerina, Natasha. At first, the woman does not pay much attention to Daantje – the young man is a bit strange. Besides, Natasha has emotional hardships in her relationships. Then an event occurs that makes her want to return to her homeland immediately. Daantje goes with her.

Dancer, Choreographer, and Teacher Martha Graham offers insight into her theories about dance while the members of her world famous troupe display a number of their dance techniques in performance.

住在京畿道山浦市的廉家老大廉琦贞（李艾儿 饰）、老二廉昌熙（李民基 饰）与老幺廉美贞（金智媛 饰），三个人每天都要往返首尔，早上七点就要出门，有聚餐还要赶末班车回家，他们受够了日复一日毫无变化的成年生活，决定要在平凡无奇的人生中，寻找成就感和自由。而突然来到他们家工作的神秘人具氏（孙锡久 饰），也和三姐弟一起展开了逃离当下的解放生活 。